... so. I've been working on several design projects since spring of 2010. None of them are completed. But I'm finally closing in on the finish line for one of them! (Another is close to completion.)
I won't divulge what the project is yet, other than to say, I'm excited about finally completing it... so I can use it! This first design is the brain-child of my frustration, which is just as valid a "mother of invention" as necessity... frustration's very close sibling.
Designing is a challenging, frustrating, rewarding, unpredictable, repetitive, exciting, time-consuming endeavor. There is an inordinate amount of frogging, tinking, and re-knitting. (At least the way I do it, which is likely more OCD than necessary.) Patience is not only a virtue if you want to design something from scratch, it is essential to maintain your sanity! The ability to recognize when you're almost at the limit of that patience is essential to protect the design in process! If you push past that limit you risk a fit of irrational rage that may well result in the dismantling of the entire thing in a screaming fit.
Designing is an exercise in creative problem-solving. "I want to do this, but I've got to have an even number of stitches to do that. I've got an uneven number and those stitches are not divisible by the number of repeats I need. How am I going to add those stitches I need... or remove the excess stitches I have... where am I going to make that change, what kind of increases or decreases will look best, and how will those choices impact the balance of the design?" Each of those decisions has a direct impact on a following element of the design unless they are the last decisions in the piece.
"Form follows function" may not be universally true in architecture but it sure has a strong influence on knitting & crochet design in my experience! The inverse is also true: if you alter the function, you'll most likely have to alter the form. I've found this particularly true in the very small project the design of which is taking "forever" to complete. Every element of this project has an impact on every other element, esthetic as well as intended function. It is really more an "engineered" project than a "designed" project! Don't let the small size fool you.
The "form" of the design, each aspect of the form, has a specific "function," either independently or as it relates to and impacts every other "form" in the design.
All that to bait you with this... the finished design is an object intended to make knitting and crochet on the go, or in a stationary position, less frustrating and more "compact."
... stay tuned for details. :-)
Joy in the Journey,
Elianastar
Showing posts with label knitting. Show all posts
Showing posts with label knitting. Show all posts
Friday, July 15, 2011
Saturday, January 8, 2011
Book Review: Color Knitting
"The Essential Guide to Color Knitting Techniques"
by Margaret Radcliffe
Available in hardcover-only U.S.; paperback UK-only. Edit: author has informed me the paperback version is UK-available only; in US only available in hardcover.
The first 23 pages alone are worth the cost of this book! Even those who already have a good working knowledge of color theory will find some great ideas unique to working with yarn and fiber.
Do you tend to pick up a skein of yarn from sale bins or order an unseen ball of yarn online... just to figure out if you might like it or to see the color in person? What are you gonna do with it now? Consider how this information might influence your work if you spin or dye yarn yourself!
"Everyone perceives color a bit differently, and our responses to certain colors or groups of colors are a matter of personal preference as well as psychology & perception." This is probably no more true than when we are talking about what we wear & how we choose to artistically use yarn in knit (and crochet) projects. A refreshing bit of news for those with "color phobia" is the author's statement that there are "no right or wrong combinations, there are just color groupings, or colorways, that have different effects," and then she proceeds to demonstrates this reality in specific and creative ways. You can take vast amounts of the information in this book to modify and "dress up" patterns you've already got, or apply this information to "from scratch" designs you are cooking up!
She begins by describing the relevant aspects of color that are most useful to understand as fiber artists. Beginning with basic color theory, accompanied with particularly helpful full color graphics, she helps us to understand that especially in fiber, "context" is everything. A color with a specific appearance by itself can and will appear quite different depending on what colors are next to it and in what quantity. A little bit of a color you despise by itself can be successfully combined with other colors in such a way as to make it the star of the project... if you understand how colors affect one another.
That hank of neon green or hot pink lace weight yarn that you bought online and now have no idea what on earth you'd ever do with it can be stranded with other lace weight yarns, with specific color impact that will tone it down to a "temperature" that you can love. Or double-stranded with worsted weight yarn or triple-stranded with a single sport weight yarn to create a completely different fabric than the original yarns alone would produce.
And, you don't have to swatch and swatch and swatch to determine which colors in which variations or sequences will give you the results you are looking for. But when you are ready to swatch a little, what kinds of things do you need to know? If you are using more than one strand of different yarns &/or different thicknesses, how do you know what size needle to use? What about one color bleeding into another color?
All of this is covered in just the first 23 pages of the book! See what I mean?
From there, you are taken on a journey of different ways to knit colors together to achieve different results. You are not only given ideas about how to combine colors, but you are also taught actual knitting techniques involved in getting the best results combining different colors and different yarns together.
Stripes are perhaps the easiest way to combine different colors. Flat knitting and in-the-round techniques are addressed. How to carry yarn along, how to add in new yarn colors, what to do with yarn ends, what are the best way to work stripes in stockinette or garter stitch, how to make diagonal stripes, how do you make ribbed stripes look "clean," how do you make stripes reversible for a scarf? Ever make stripes in circular knitting? You know that "jog" where you start a new round in a different color that makes you nuts? There are a couple of ways to disguise and modify that uneven change! And you can add texture to your circular stripes too. What about combining pattern stitches to spice up your stripes? All of this is covered in pictures and tutorial explanations every step of the way, culminating in variations of a scarf pattern.
Incorporating color into pattern stitches can turn a "blah" project into a masterpiece. Color swatches, complete with written stitch patterns, charts, and a series of variations on this same stitch pattern are included for over twenty stitch patterns, interspersed with knitting techniques to improve your successful execution.
Love multicolor yarn... not so pleased with pooling and other issues when you start knitting with it? This book will help you apply knitting and stitch techniques to get a result you'll love depending on the specific kind of multicolor yarn you are using.
From there, you are taken on a tour of stranded knitting techniques for that Scandinavian look. How to manage multiple strands of color, how to prevent holes when changing colors, dealing with tangles and unevenness and shaping... all the basic, and not-so-basic, things you'll appreciate. Do you know what a "steek" is and how to do them... or why you'd ever want to know? You will when you've finished this chapter.
Intarsia or "picture knitting" is covered as thoroughly as every other topic, with color photos and helpful tutorials all along the way.
Now most people would think that would pretty well cover all one might possibly want to know about knitting in color, wouldn't you? Would you believe there is MORE? Helix, shadow, mosaic, twined, double knitting, and modular knitting... including entrelac... all covered as well!
But wait! There's more! Finishing techniques including decorative bind offs and embellishments carries you to the final chapter. How do you modify existing patterns to incorporate these techniques or design a project from scratch using this information? What might you need to consider regarding the kind of fabric that will be best for your project and which technique to apply to get that best fabric? Answers are here.
Last but far from least, the book closes with an Appendix that covers basic knitting skills, garment sizing guidelines, abbreviations and symbols, a bibliography, and an outstanding index to locate specific information later. There are a few patterns in this book, but if you are looking for color-work designs and patterns book, you'll probably be happier with a book that has a different focus.
After you've learned the basics of combining color in yarn and see all the different ways you can knit a multicolor project, you'll not hesitate to pick up one or two balls of yarn at the fiber show or from the sale bin at the local yarn shop (LYS) or order that spectacularly priced clearance yarn online. Because you'll know you can mix and match and finesse that fiber goodness into a finished project that will make that "lonely only" into a work of art! This book holds the potential to save you a lot of money, spark your creative juices, and expand your skill set. Really... how can you lose?
by Margaret Radcliffe
Available in hardcover-only U.S.; paperback UK-only. Edit: author has informed me the paperback version is UK-available only; in US only available in hardcover.
The first 23 pages alone are worth the cost of this book! Even those who already have a good working knowledge of color theory will find some great ideas unique to working with yarn and fiber.
Do you tend to pick up a skein of yarn from sale bins or order an unseen ball of yarn online... just to figure out if you might like it or to see the color in person? What are you gonna do with it now? Consider how this information might influence your work if you spin or dye yarn yourself!
"Everyone perceives color a bit differently, and our responses to certain colors or groups of colors are a matter of personal preference as well as psychology & perception." This is probably no more true than when we are talking about what we wear & how we choose to artistically use yarn in knit (and crochet) projects. A refreshing bit of news for those with "color phobia" is the author's statement that there are "no right or wrong combinations, there are just color groupings, or colorways, that have different effects," and then she proceeds to demonstrates this reality in specific and creative ways. You can take vast amounts of the information in this book to modify and "dress up" patterns you've already got, or apply this information to "from scratch" designs you are cooking up!
She begins by describing the relevant aspects of color that are most useful to understand as fiber artists. Beginning with basic color theory, accompanied with particularly helpful full color graphics, she helps us to understand that especially in fiber, "context" is everything. A color with a specific appearance by itself can and will appear quite different depending on what colors are next to it and in what quantity. A little bit of a color you despise by itself can be successfully combined with other colors in such a way as to make it the star of the project... if you understand how colors affect one another.
That hank of neon green or hot pink lace weight yarn that you bought online and now have no idea what on earth you'd ever do with it can be stranded with other lace weight yarns, with specific color impact that will tone it down to a "temperature" that you can love. Or double-stranded with worsted weight yarn or triple-stranded with a single sport weight yarn to create a completely different fabric than the original yarns alone would produce.
And, you don't have to swatch and swatch and swatch to determine which colors in which variations or sequences will give you the results you are looking for. But when you are ready to swatch a little, what kinds of things do you need to know? If you are using more than one strand of different yarns &/or different thicknesses, how do you know what size needle to use? What about one color bleeding into another color?
All of this is covered in just the first 23 pages of the book! See what I mean?
From there, you are taken on a journey of different ways to knit colors together to achieve different results. You are not only given ideas about how to combine colors, but you are also taught actual knitting techniques involved in getting the best results combining different colors and different yarns together.
Stripes are perhaps the easiest way to combine different colors. Flat knitting and in-the-round techniques are addressed. How to carry yarn along, how to add in new yarn colors, what to do with yarn ends, what are the best way to work stripes in stockinette or garter stitch, how to make diagonal stripes, how do you make ribbed stripes look "clean," how do you make stripes reversible for a scarf? Ever make stripes in circular knitting? You know that "jog" where you start a new round in a different color that makes you nuts? There are a couple of ways to disguise and modify that uneven change! And you can add texture to your circular stripes too. What about combining pattern stitches to spice up your stripes? All of this is covered in pictures and tutorial explanations every step of the way, culminating in variations of a scarf pattern.
Incorporating color into pattern stitches can turn a "blah" project into a masterpiece. Color swatches, complete with written stitch patterns, charts, and a series of variations on this same stitch pattern are included for over twenty stitch patterns, interspersed with knitting techniques to improve your successful execution.
Love multicolor yarn... not so pleased with pooling and other issues when you start knitting with it? This book will help you apply knitting and stitch techniques to get a result you'll love depending on the specific kind of multicolor yarn you are using.
From there, you are taken on a tour of stranded knitting techniques for that Scandinavian look. How to manage multiple strands of color, how to prevent holes when changing colors, dealing with tangles and unevenness and shaping... all the basic, and not-so-basic, things you'll appreciate. Do you know what a "steek" is and how to do them... or why you'd ever want to know? You will when you've finished this chapter.
Intarsia or "picture knitting" is covered as thoroughly as every other topic, with color photos and helpful tutorials all along the way.
Now most people would think that would pretty well cover all one might possibly want to know about knitting in color, wouldn't you? Would you believe there is MORE? Helix, shadow, mosaic, twined, double knitting, and modular knitting... including entrelac... all covered as well!
But wait! There's more! Finishing techniques including decorative bind offs and embellishments carries you to the final chapter. How do you modify existing patterns to incorporate these techniques or design a project from scratch using this information? What might you need to consider regarding the kind of fabric that will be best for your project and which technique to apply to get that best fabric? Answers are here.
Last but far from least, the book closes with an Appendix that covers basic knitting skills, garment sizing guidelines, abbreviations and symbols, a bibliography, and an outstanding index to locate specific information later. There are a few patterns in this book, but if you are looking for color-work designs and patterns book, you'll probably be happier with a book that has a different focus.
After you've learned the basics of combining color in yarn and see all the different ways you can knit a multicolor project, you'll not hesitate to pick up one or two balls of yarn at the fiber show or from the sale bin at the local yarn shop (LYS) or order that spectacularly priced clearance yarn online. Because you'll know you can mix and match and finesse that fiber goodness into a finished project that will make that "lonely only" into a work of art! This book holds the potential to save you a lot of money, spark your creative juices, and expand your skill set. Really... how can you lose?
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Saturday, October 2, 2010
Of ships, hats, & holidays
Elianastar: My stepdad was a career U.S. Navy man and I spent a fair amount of time on or near Naval Bases growing up. A goodly portion of my 8-10 year-old years were spent on the U.S. Territory Island of Guam, and my 13-16 year-old years were spent on the main island of Oahu, Hawaii. (The main island, not the Big Island.) The rest of my 7 to 17 years were spent within driving distance of a U.S. Naval base. My stepdad retired from the Navy my senior year, weeks before my graduation. As a result, I have a soft spot for those in the U.S. Navy. I hasten to add however, that my brother was U.S. Army Airborne, my husband was in the U.S. Air Force when I met him, my son-in-love is in the Oregon National Guard, and you don't spend any time near a U.S. Navy base without meeting your share of Marines... so I've got a broad support for the U.S. Military as a whole.
Which brings me to the point of this particular blog. I follow Wendy Knits blog and she posted a couple of days ago about a blog that she follows, Adventures in Paradise. The author of Adventures in Paradise has a daughter who is in the U.S. Navy. She will be taking command of the U.S.S. Decatur sometime in December of this year. It is her goal to demonstrate support for each sailor on the ship with individual gift boxes. Central to these gift boxes, she'd like to include at least one warm, knit or crochet cap, in Superwash Wool, but she has included a list of additional items that will be greatly appreciated by the crew during off hours. There are 278 sailors on board and any overflow of gifts will be passed on to other ships in the area.
If you have kids or are a teacher, these sailors would love letters from kids! This makes a great writing/English exercise for students and will make the day of any sailor who receives the letters!
If you have the heart and will to participate, you can get all the details @ Adventures in Paradise. You do not need to be able to knit or crochet to participate... there are lots of other things that are requested, in addition to cash which will be pooled to purchase a number of things in bulk from Costco, particularly those things that do not arrive in sufficient quantity. However, if you do knit or crochet, or know someone who does, warm hats on a ship at sea will be profoundly appreciated!
Please note: All donations must be received no later than November 1, 2010, so time is of the essence!
If you need pattern ideas, Wendy Knits wrote a second blog that includes some optional pattern ideas. If you don't have a Ravelry membership, (and if you don't, that's easily fixed), here is a Google search of potential knit & crochet patterns to consider. If you are a member of Ravelry, here is a search of free patterns &/or patterns that can be downloaded via Ravelry.
When you are deciding on a pattern, keep in mind the conditions under which these hats will be worn: at sea, on the deck of a ship, often under very windy conditions. They either need to be of a design that will hug the head fairly well (don't make them too shallow so they can be pulled down over the ears and stay put), or have some sort of ties to secure them under adverse conditions. There are no color specifications, so unlike on the battle field, you can be a lot more creative with these hats than you can with those who must remain under camouflage conditions.
Whatever hat you end up making, it must be made ONLY in 100% washable wool... no blends, no acrylic... only 100% washable wool. This means it will be labeled as either "washable" or "Superwash" and include the word "wool" and no other fiber content. This may be merino wool, peruvian highland wool, a nondescript wool... any wool of any kind that is washable/superwash and can pass the "burn test." If you have any questions about whether any particular washable wool is acceptable, perform a "burn test" on a small scrap of the wool. (Do this outdoors and have copious amounts of water nearby... just in case.) Basically, if it is very difficult to ignite, if it smells like burning hair, it it does not "bead up" or appear to "melt" rather than burn, and if it turns to black and hollow ash, it will pass inspection by the military. Include one yarn band for each hat and tape a scrap of yarn to the label in case it needs to be tested for suitability.
If you are at a loss or unsure, these are some safe yarns you can consider:
Cascade 220 Superwash
Lamb's Pride Superwash Worsted
Mission Falls 1824 Wool
Herrschners 5th Avenue Merino Superwash
Also check out the offerings from other vendors in the right sidebar under the heading "Gathering Fleece..."
You can also do a search on Ravelry for Superwash Wool... just make sure whatever you choose is 100% wool, no blend of any other fiber content. From there, you can check with your LYS (Local Yarn Shops) or do an internet search for resources that fit your budget.
If you've got any spare Greeting Cards, toss a few in with anything else you send... and toss in a book of stamps if you can. Or maybe consider grabbing an All Occasion greeting card assortment at your local department store.
Please keep in mind that there is very limited storage space on a military ship and factor that into your choices. If you'd like to add some of the other items to your donation, you might consider some of these:
Skip-Bo Card Game
(my husband and I adore this game and it is more fun with more players)
If you choose to order from any of these links, you could have them delivered directly to Lynne... no extra shipping costs for you and no hassle getting them out for delivery. Just obtain her mailing address before placing your order.
If you can find your way clear to participate in this, in any way, let us extend our gratitude to you here and now. You will be making a huge difference in the lives of people who have voluntarily chosen to leave their friends and family in service to their Nation. We appreciate your generosity almost as much as they will.
Thank you for your generosity. If you aren't able to participate, please consider sharing this with someone you know who might.
Joy in the journey!
Tuesday, September 21, 2010
September 2010 UFOs, WIPs, & DIP...
Alphabet soup. It has been a difficult year for me, personally, and I find that I am feeling overwhelmed by all the things I've started, all the things I've wanted to start but couldn't see my way clear, and a number of designs I'm either working on or have in mind yet.
Which has created my alphabet soup: UnFinished Objects (UFO), Works In Progress (WIP), and Designs In Progress (DIP). My only good news in this would be that all three of these are the same things! That makes things just a bit less overwhelming. The other good news is, most of the projects are very, very, close to being completed. At which point, I'll begin the process of getting the patterns written up so they can be tested and checked by a tech editor, etc.
I have a great project that is at the top of my list to finish... but I can't even give you a hint what it will be. Sorry, but it's just such a great idea I want to keep it "under wraps" for now. Well... at least, to me it is a great idea. Even if no one else likes it, I can't wait to finish up the design and pattern so I can submit it for consideration to Knit Picks Independent Designer Program. If it should not be accepted, I'll make it available for sale via this blog and Ravelry.
I've got a pair of short-finger gloves in which the core of the pattern is done. I've only got to knit up the fingers in the first glove and make sure the "mirror directions" for the other glove is right and knit that one up. Then I'll be able to finish writing up the pattern and begin the process of prepping necessary before unleashing a pattern on the world.
I've finished the foundational design on a pair of child legwarmers and my granddaughter is getting a little impatient for me to knit the second leg so she can wear them to school soon. I've resigned myself to the reality that the prototype pair will have to be reknit again for submission cuz there is no way a five year old will wait for the rest of the process to be complete for grandma's end plan.
I've got a cowl that I've made a number of for my own use and as gifts for the past several years, but I'd like to write it up into a pattern because I think lots of other people will enjoy the process of making it as well as using it. I've not made a decision on the best Knit Picks yarn to use for the design. I've used Lion Brand Homespun in previous incarnations, but I'm anxious to "upgrade" the design from an acrylic-based yarn and translate the design from a bulky yarn to something lighter. I've made the design in the past in both crochet and knit, and will eventually make the knit and crochet design available using Lion Brand Homespun because it is such a great, fast, project for gifts and I rarely wear any of them without a compliment before I'm back home.
I've also already purchased the yarn for a felted bag pattern to design and write up. It is gorgeous in my head! I'm still toying with the best way to design the "picture in my head" into an actual project others will like to make too.
And I've not even mentioned the other projects I have in mind for myself that will probably become patterns too. One thing I'm learning about designing projects for others to make... it is a lot more time consuming than just making something for myself! I tend to knit and crochet the way I cook: a recipe is just the place to begin. I may or may not use all the ingredients in the recipe, and I may or may not use any in the amounts prescribed. There is an excellent chance I'll bring my own sense of flavor to the finished product. Which means, unless I take careful notes as I go, I won't be able to recreate exactly the same thing myself and neither will anyone else. Which isn't a problem if it is not my goal to create a new recipe, just something to eat. Designing a pattern for someone else to recreate, requires a lot more attention to detail and thought about how to word the directions so a stranger will comprehend accurately what they need to do to get the same results. Whew! That's not nearly as easy as you think when you aren't really thinking about it.
I wanted to start Wendy Knits Shetland Pi Shawl KAL, but another swarm of migraines and feeling guilty about the other unfinished projects have pushed that back. I've got the yarn and had already decided to make a Pi shawl of some sort, so that is still on the agenda. Perhaps, if there are a sufficient number of followers when I get to a place to start it, we can do it together. I hope to start it before the end of the year, but I probably need to be realistic that holiday knitting is just around the corner and I may not be able to start it as soon as I'd like.
I also want to start knitting socks before the end of the year. I've purchased yarn to make a few pair for my BearMan and this is primarily why I want to learn to make socks. I've got a bunch of sock yarn that I've been collecting, a little here, a little there, for almost three years. I also have designs on attending the Sock Summit in Portland, OR in 2011... so I best get to knitting! I want to have the basics down well enough that I can "pick the brains" of anyone willing to teach me their secrets and show me their tricks.
Basically, this has been a confessional. I'm hoping this will motivate me further to stay on task, wrap up all these projects, and get them in the queue towards completion and publication.
Please feel free to mitigate any of my consternation about my failure to be further along on my projects by sharing your own frustrations about yours. Heeheehee. "Misery loves company," right?
Joy in the journey,
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Monday, September 6, 2010
Swatch Series - Introduction
Feelings about swatching tends to be a rather polar topic... if you know what it is at all. The goal for this series is to define and explain what a "swatch" is and all the ways it can make your yarn crafting better... and more fun. Yes. I said, FUN.
Most think of swatching as a chore to be avoided at all costs. It "wastes" time and yarn," the naysayers proclaim. Even though few things are less true, some make adamant declarations that it is better left undone and you'll be just fine if you give this advice a pass. It is my intention to encourage you to consider an opposing opinion.
Some have learned just how valuable swatches are... even when they aren't actually working on a project. (huh?) It is my goal to place you firmly into this category by the end of this series. Set your misgivings, (or disdain), about swatching aside and give me an open-minded hearing? At least consider the varied uses for swatching and try some of them, sooner rather than later?
After the Swatching Series is complete, we'll explore other ways to play with yarn and needles and test out new stitch patterns. Whether you prefer to knit or crochet, swatching is an important part of the creative process. Done properly and completely, it can save time and material... not to mention frustration and grief.
This is just a teaser of things to come. I'm not entirely certain just yet how many segments this series will have, as my goal is to keep each segment to a reasonable length, but it appears right now that there will be at least four in the core series. To assist in making this series as useful as possible, I'd love feedback regarding the following questions:
What are your feelings about knitting or crocheting swatches? Do you usually make gauge swatches before beginning a project? What issues have you had because you did or did not swatch before starting a project? Are there other uses for swatches that you've discovered? What case would you make against swatching before beginning a new project? Do you have any other thoughts or misgivings about swatching? Can you make a good case for swatching? Do you have any "I should have swatched first" stories you'd like to share?
Joy in the journey!
Elianastar
Additional comments viewable @ "To swatch or not to swatch..." at the Knit Picks Community, or @ "To swatch or not to swatch..." at the Knit Picks Lovers Group on Ravelry if you are a member of Ravelry. (Both are free Communities)
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Saturday, September 4, 2010
But who is Adesinacat?
::sneaks in the backdoor, trying to not be seen::
Yes, Virginia, there is another person who contributes to this blog. I am a busy mom and it is hard to find the time to sit down and blog about my knitting. I will try to post every now and again, and get photos up. Gotta love life.
A little about myself: As you will see, I have two names in my user name. The other one, Constance Wyatt, is my SCA name. What is the SCA? The SCA, or Society for Creative Anachronism, Inc. is "an international organization dedicated to researching and re-creating the arts and skills of pre-17th-century Europe. Our "Known World" consists of 19 kingdoms, with over 30,000 members residing in countries around the world. Members, dressed in clothing of the Middle Ages and Renaissance, attend events which feature tournaments, royal courts, feasts, dancing, various classes & workshops, and more.”
In other words, I am a geek. You know the song White & Nerdy
by Weird Al? Yeah, not that bad, but there are days where it is a bit too close to home. What I do in the SCA is mostly heraldry. Think "family crests" which really, there is no such thing. You can inherit arms from your parents, but unless you are the Queen of England or some such status, your arms are completely your own. So, please, don't pay for those "family crests" stuff you see unless it is for a Scottish clan. As far as I am concerned, those are just scams unless they trace your genealogy at the same time, showing you the paperwork that proves that you are related to that person, and even still, that doesn't mean that you own those arms and...
See? I told you I was a geek. I am mostly what we call a voice herald. See, there were no PA systems back then, so they counted on people trained in being loud. I am just one of those people. I have a pin (well I had a pin; keep losing it) that says "I left my inside voice at home." Most people tell me I don't have an inside voice. I do. I just don't use it very often. Anyways, if you would like to see my geek blog, you'll find it Here.
Back to knitting. I am just starting to knit again. I tried knitting years ago and loved it, but couldn't find anything or anyone that could show me that I was twisting my stitches, how to decrease and other such stuff that you need to know to make something more than scarves in garter or stockinette stitch. This was way before YouTube or Ravelry. Also, the cost for yarn was out of my price range. Also before Knit Picks. Yes, there was acrylic yarn, but acrylic yarn makes me itch. Even the really, really, soft stuff. I know this cause I got two very soft, acrylic sweaters for christmas one year. I remember sitting in my second class in high school and itching so bad, I had to call my mom to please bring me another top cause I was going crazy. I have to wear a shirt under the stuff.
Now, I have a ton of places to turn for help. Including my mom who took knitting up again after I quit. I say that she started back up cause of me, but she denies it. ;-) She is the reason though that I started again. While waiting for her to pick out what knitting books she wanted at a local book store, I picked up the books she was getting and started to drool of the pretties in the book and kept stating something along the lines of "mommy, please knit this for me and I will love you always," (big cute eyes were added too I think.) After I think the fifth (or was that thousandth) one just that day, she told me that I need to start knitting again cause there was no way she could make all the stuff I wanted her to make for me. I had been saying no cause money is still an issue so getting yarn is still an issue. I also wanted to keep to more "period arts," (yes, that is my nose in the air), so that I can do them at SCA events. But wait. Knitted socks are period. And so are hats? And sleeves? And bags? Well what the hell am I waiting for! I guess those old hand-me-down knitting needles will not go to waste after all. And my mom is a yarn whore, junky, addict, collector and was willing to share some of her "and remind me why I bought this(?)" yarn. Yes, mostly acrylic, but I wasn't going to wear some of the stuff I made.
I have made a few things. A bag, some scarves, a pair of fingerless gloves, but mostly small stuff. I like mobile projects. Stuff I can grab and put in my, on the small side, purse. I have a bunch of stuff I want to make. Now just the time to sit and make them.
AdesinaCat (on Ravelry. What? You don't have a Ravelry account? It's FREE!)
Note: I have am not the best writer, and am a horrible speller. Yes, I do know the difference between then and than, but that doesn't mean I always remember. If you see bad spelling, please just ignore it and giggle. I'll bet Elianastar will try to make some corrections for me. (yes... she did.) :-)
Friday, August 20, 2010
Define "Skill Level"
Don't you just love it when an article or class or anyone anywhere declares that one should "know your skill level" before jumping into a project or class... and doesn't bother to define what those levels are or the criteria with which you qualify for that skill level???
"Teach Yourself Visually Knitting
" ... great for visual learners
"Donna Kooler's Encyclopedia of Knitting
" ... a virtual knitting course in a book but also a great reference book
"The Knitters Book of Finishing Techniques
" by Nancie M. Wiseman
Want a fast, almost entirely painfree course to "Experienced Knitter"? Do yourself a favor and get a copy of Jacqueline Fee's book, "The Sweater Workshop," and if you do nothing else, make The Sampler. It will transform your knitting if you will fully complete that ONE project! Your confidence to knit almost anything will be all but limitless, you'll most likely want to take at least one run at one of the Basic Sweater patterns too, but even if you don't, you'll be far less intimidated by other patterns that catch your eye! I know it sounds like hyperbole, but I do not exaggerate about the difference it can make in your skill set and confidence as a knitter.
We continue to expand the library of books in our Book~Shop, but there are already a good list of references for a Core Library, in both knitting and crochet. (I can't tell you how wonderful it is to finally have ONE place to "gather" all my favorite books and resources to share! Blogs are wonderful things for that reason alone!)
In the meantime, do not let anyone put you into a box you do not belong. If you've successfully made anything, you can learn to do everything that interests you as a crafter... (or human being). There is almost always more than one way to do almost anything. All you need are the right resources. Here at Roving StarPoints, that is our "Prime Directive." :-) Let us know if we can help you in any way. If we don't know the answer, and most likely even if we do, we'll direct you to any support resources we can find to help you achieve your goals.
A question came up elsewhere, and I've spent at least an hour on the internet attempting to track down some basic list to answer the question, "what skill level am I?"
My experience is that most people short-change themselves in terms of what they can do or learn to do, so I'm not really a fan of these sorts of boxes, personally. But I respect the fact that other people like the safety of a "nest" that lets them know "which box to check." Such knowledge can function as a kind of "training wheels" while they test the waters and venture forth. Once they realize that all crochet, and all knitting... and all of most everything else in life, for that matter... is just one step after the other, they'll unscrew the training wheels and head for the nearest high hill, down which they'll careen with squeals of delight. But, until that "secret" is revealed to them in a meaningful way, they like to know to which pleasant nest they belong.
AdesinaCat, for example, doesn't know that as a "new knitter" she ought to be intimidated by a cabled purse pattern. Nor does she know that everyone is a "new knitter" when they come to some skill they've not tried before... no matter how many months/decades/years they've been knitting or crocheting or sewing... or whatever they come across in life. She is fortunate to have a knitting companion, her beloved mother, who knows the secret. :-) She showed me the pattern for a KAL (knit-a-long) on Ravelry and asked if she could make it. Of course she could make it. Cable knitting is nothing more complex than knitting a few stitches out of order, right? It was a simple, basic, cable... just follow the directions carefully until you get the hang of it... or test it out in some other yarn first and then start the project.
As a result, her second finished project following a pattern is a perfectly lovely cabled purse, which she finished without incident, and which you can view on Ravelry. (If you don't have a Ravelry account yet, it is free for the asking, and seriously important to have for all sorts of awesome reasons. See links at bottom of page.) She is about to embark on an Entrelac purse. I love it when people don't realize they "aren't supposed to be able to do" something, and just go and do it!
So far, the best succinct list I've found regarding Skill Level is this one from the Patternworks site:
Here is a basic description of the different skill levels:
Beginner: knit and purl, minimal or no shaping
Easy: basic stitches, repetitive patterns and color changes, simple shaping and finishing
Intermediate: variety of stitches, knitting in the round, mid-level shaping and finishing
Experienced: advanced techniques (cables, lace, Fair Isle, short rows) and color changes, refined finishing
I don't know about you, but I find this very unsatisfying and confusing. First of all, there are quite a few terms here still undefined: "basic stitches," "simple shaping," "mid-level shaping," and "refined finishing"... what does that mean? My second issue is, by this definition, AdesinaCat is an "Experienced" knitter having completed only two entire projects from someone else's patterns? Huh?
But my biggest issue is the fact that not one thing listed here is beyond the reach of anyone who has mastered at least one successful way to cast on and bind off, who can knit and purl without talking themselves through each step, can slip a stitch from the left needle to the right needle and wrap the yarn around the working needle. No one. I do concede that one must feel comfortable with these most basic of skills but only by virtue of having some degree of confidence so as not feel too overwhelmed to do something "extra" or "new." That puts anyone who has made a potholder, scarf, or baby blanket well within reach of "Experienced" crafting skills. They just don't know it yet. And if the rest of us will keep our traps shut and not tell them we are about to teach them an "advanced" skill, they'll do it and never know they've just done something they "aren't supposed to know how to do because they haven't been knitting long enough."
Here is my personal wish list for all designers:
Here is my personal wish list for all designers:
- provide a list of the skills a given design will require to create, and when possible, provide links to tutorials or the name of a basic reference text wherein the poor soul who gets their hands on your pattern can figure out how to do each of the skills. Your "not experienced" crafters will adore you! With so many patterns being made available as PDF downloads, links make a lot of sense to include, but even printed patterns could include a few links or reference books.
- provide an actual, separate, swatch pattern if the pattern uses a stitch pattern &/or "not basic" technique. Meaning, anything beyond basic knit/purl, empower the knitter to play with the elements of your design before they cast on for the project.
- in addition to the name brand yarn for which the pattern is written, provide a basic description of the yarn in the materials list: fingering weight sock yarn; any worsted yarn with which you can obtain gauge on this needle size; etc. We can't always afford the yarn in the pattern, or can't wear or work with the yarn in the pattern. Make it just a little easier to find something that might work instead... pretty please?
- needle &/or hook sizes in MM, please, for the love of Mike. Why the industry continues to support archaic, arbitrary "sizes" rather than actual measurements of the tools that directly translate into gauge is one of my major pet peeves.
If you struggle with confidence about your knitting skill level, permit me to recommend a few reference books that will be of great help when you come across a technique with which you are unfamiliar or cannot recall how to perform.
"The Knitting Answer Book: Solutions to Every Problem You'll Ever Face; Answers to Every Question You'll Ever Ask" by Margaret Radcliffe... and she's not kidding.
"Teach Yourself Visually Knitting
"Donna Kooler's Encyclopedia of Knitting
"The Knitters Book of Finishing Techniques
Want a fast, almost entirely painfree course to "Experienced Knitter"? Do yourself a favor and get a copy of Jacqueline Fee's book, "The Sweater Workshop," and if you do nothing else, make The Sampler. It will transform your knitting if you will fully complete that ONE project! Your confidence to knit almost anything will be all but limitless, you'll most likely want to take at least one run at one of the Basic Sweater patterns too, but even if you don't, you'll be far less intimidated by other patterns that catch your eye! I know it sounds like hyperbole, but I do not exaggerate about the difference it can make in your skill set and confidence as a knitter.
We continue to expand the library of books in our Book~Shop, but there are already a good list of references for a Core Library, in both knitting and crochet. (I can't tell you how wonderful it is to finally have ONE place to "gather" all my favorite books and resources to share! Blogs are wonderful things for that reason alone!)
In the meantime, do not let anyone put you into a box you do not belong. If you've successfully made anything, you can learn to do everything that interests you as a crafter... (or human being). There is almost always more than one way to do almost anything. All you need are the right resources. Here at Roving StarPoints, that is our "Prime Directive." :-) Let us know if we can help you in any way. If we don't know the answer, and most likely even if we do, we'll direct you to any support resources we can find to help you achieve your goals.
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